Summertime Blues with Ben Vee 3pm EST on BMFR…June 20th

Well it is SUMMER TIME! Gonna roll out some roadhouse blues featuring a number of Canadian artists AND spin some “outlaw country blues” tunes by performers including Ray Wylie Hubbard, Lincoln Durham, and Colter Wall as well as THE Band.  You can catch it all here… http://www.bluesmusicfan.com  …..beginning at 3 pm EST today!

Below is the intended playlist:

ARTIST TITLE
King Curtis The Weight (ft. Duane Allman)
The Reverend Shawn Amos Will You Be Mine
Chris Robinson Brotherhood Leave My Guitar Alone
Ben Harper I’m In I’m Out And I’m Gone
Billy Boy Arnold Catfish
The Record Company I’m Getting Better (And I’m Feeling It Right Now))
Chickenbone Slim Break Me off a Piece
Sean Pinchin Gotta Move
MonkeyJunk Show Me Yours
Colin James No Time To Get There
David Gogo Fooling Myself
Anthony Gomes Stealin’ From The Devil
Jeff Healey Hoochie Coochie Man
Savoy Brown Conjure Rhythm
Catfish Hodge Band Long Night
Chuck Leavell Wish Me Well
Clas Yngström & Big Tex Three Beyond Here Lies Nothin’
Chris Fitz Band If You See Me Tomorrow …Tell Me About Last Night
Tony Joe White Closer To The Truth
Peter Ward Coffee Song (ft Michelle Willson)
Comanchero The Sniper
The Band Blind Willie Mctell
Colter Wall Sleeping on the Blacktop
Ray Wylie Hubbard Roll And I Tumble
Lincoln Durham Reckoning Lament
Dave Alvin A Woman’s Got A Right
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Ben Vee’s Roadhouse Blues Bin for Nov 12 2018

A selection of albums I have been listening to lately:

Kenny “Blues Boss” Wayne – Inspired by the Blues (Stony Plain Records 2018)

Kenny Blies Boss Wayne

Kenny “Blues Boss” Wayne is the Chicago Boogie Woogie Blues Boss!  On his latest recording, Inspired By the Blues, he goes full tilt classic style boogie and blues with help from Duke Robillard (guitar) , Billy Branch (harmonica), and B.B. King’s long time bass player Russell Jackson. Kenny can pound those ivories and was named the “Most Outstanding Musician (Keyboards)” by the prestigious Living Blues Magazine in 2015. He has also won Juno and Maple Leaf blues awards in Canada and the new album is a great addition to my collection of roadhouse blues tunes.

Kenny makes the sounds of the late forties and fifties relevant for modern audiences with superb songs like Old Brick Wall, Start Rockin’, Make Up Your Mind, and Jimmy & Johnny.  I particularly enjoyed the tune That Raggedy Shack. Primarily upbeat and featuring great musicians, I think you will enjoy listening to this as much as I did!

The Bob Lanza Blues Band – Kids, Dogs, and Krazy Women  (ConnorRayMusic 2018)

Bob Lanza

Bob Lanza‘s new album Kids, Dogs, and Krazy Women is some fine roadhouse blues.  Up tempo for the most part, it features some particularly great musicianship from band members Vin Mott (harmonica), John Ginty (keyboards), Anthony Krizan (guitars, vocals, drums) and David Lockhart (bass) as well as Bob himself who has a great voice and plays some badass guitar. I have followed the solo careers of Vin Mott and John Ginty for some time and Bob brings out the best of their talents on this recording.

I loved Hey Baby, the title cut, Let Me In, Little Momma, and Problems.  Bob does a nice cover of Patsy Cline‘s Walking After Midnight and the grindin’ blues tune I’m Not the Man I Used to Be is absolutely fantastic.

Overall, I think this album merits a nomination for Contemporary Blues album of the year!

Cary Morin – When I Rise (Cary Morin Music 2018)

Cary Morin

Cary Morin is a native American who is a member of the Crow tribe. He was born and raised in Montana and is now based in Colorado.  He has long been known for his accomplishments on the acoustic guitar and his style of music would be equally at home in the juke joints of the Mississippi delta or in the folks clubs of Greenwich Village.  On his latest album, he includes a number of electric guitar and pedal steel guitar tunes that are well worth a listen.

The album has an electric and an acoustic version of Jug in the Water that I really enjoyed. I also liked the roadhouse sound of Carmela Marie. The acoustic tune and title cut of the album, When I Rise, features some great harmonica work by Dexter Payne and has both delta and native american influences..interesting tune to say the least.

All the songs are originals except for a delightful cover of Duane Allman’s Little Martha and a nice rendition of the Grateful Dead’s Dire Wolf. Generally, I would classify the album as Americana or roots music with some great blues influences.  And if he ever gets up into the northeastern part of the United States, I would drive a good ways to see one of his performances!