That’s What I’m Talkin’ About – Sean Chambers pays tribute to Hubert Sumlin

I was late gettin’ on the Sean Chambers blues train which has been rollin’ along since his first recording back in 1998. It was his 2017 album, Trouble and Whiskey, that grabbed my attention with a blistering guitar style that reflects what he learned playing with Hubert Sumlin for over 4 years and puts him in the company of guitar virtuosos Gary Moore and Alvin Lee. Sean also has just the right amount of gruff in his voice and conveys an honesty that makes him a natural born bluesman.

As a special tribute to Hubert Sumlin, long time band member for Howlin’ Wolf and one of the most influential blues electric guitar players of all time. Sean records 10 songs that he regularly performed with Hubert as part of the band from 1998 to 2002 and contributes one original about his life and times with the great bluesman, Hubert’s Song. The title for the recording, That’s What I Am Talkin’ About, reflects a phrase that Hubert loved to use according to Sean.

The tune on the album that best epitomizes why some organizations have rated Sean as one of the top contemporary guitar players on the planet is Rockin’ Daddy. He attacks this blues standard by Chester Burnett with gusto and the guitar solo right near the end is incredible. As many of you know, I love music with a beat you can dance to and Do The Do and Hidden Charms fill the bill nicely. Sean can also get into the lowdown and dirty blues as he did on Goin’ Down Slow. I have to believe that Hubert hearing Sean wear out the guitar on this song back in 1998 helped get him the permanent gig with Sumlin.

Also included on the album is a great version of the Roosevelt Sykes song, Forty Four, that was a mainstay of Howlin’ Wolf’s performances with Hubert back in the 1950’s. The martial cadence of the snare drum on this classic song is the perfect backdrop for Sean’s vocals and features some sweet guitar playing. Seans cranks out some badass roadhouse blues on the tracks Taildragger and Sitting on Top of the World. And Sean has the perfect voice to pull off a rousing version of the Howlin’ Wolf classic, Howlin’ for my Darling.

Throughout the recording, there are delightful performances on the Hammond B3 Organ by Bruce Katz and a favorite keyboard player of mine, John Ginty. John contributed to Sean’s last album and now is a mainstay of the Allman Betts Band. Drums and percussion are handled by Andrei Koribanics. And the insistent bass is played by Antar Goodwin.

The album closes with another Chester Burnett song that was a featured song for Hubert Sumlin’s shows, Louise. (The suggestion to include the song along with Taildragger came from none other than Kim Simmonds of Savoy Brown!) From the first song on the album, an instrumental entitled Chunky, to the last one Sean provides an intense and artful rendering of tunes that are truly classic blues music that should please both blues purists and blues rock and roadhouse blues fans.

On a sad note, the producer of the album, Ben Elliot, passed away sometime after its recording in the spring of 2020. It was the last production by one of the greats of the blues rock genre. Ben had recorded or produced songs and albums by Leslie West, Rory Gallagher, Savoy Brown, Eric Clapton, Keith Richards and…..Hubert Sumlin.

Sean dedicates the album to the memory of Hubert Sumlin and Ben Elliot. It will serve as a lasting tribute and is certainly one of the finest roadhouse blues albums released in 2021.

Sean Chambers – That’s What I’m Talkin’ About (Tribute to Hubert Sumlin) (2021 Quatro Valley Records)


Ben Vee started out spinning songs on terrestrial radio and at nightclubs back in the 1970’s in his home state of Louisiana. After a career in the construction business, he returned to DJing in 2011. He now hosts two shows each week on http://www.bluesmusicfan.com and writes about the blues at http://www.benveeblues.com from his home in Connecticut. He also has a 24 hour stream devoted to the Roadhouse Blues… WRHB

Roadhouse Blues Bin for Mid April 2019

It’s spring time, well almost in New England, and here is what I am listening to as I await freakin’ warmer weather …..

Manx Marriner MainlineHell Bound for Heaven (2019)

Manx Marriner

Harry Manx is a blues original.  His primary musical instrument is the Mohan Veena,  often associated with classical music from India, which gives Harry’s music a surreal sound that is perfect for the blues. His partner for the album is Steve Marriner, a gifted harmonica and guitar player who also performs on the drums, organ, and bass.  Both have great voices and contribute songs for Hell Bound for Heaven, released by Stony Plain Records.

The recording has a mix of what I call roots blues and gospel tunes.  I particularly enjoyed their rendition of the legendary Charlie Patton’s Rattlesnake.  And the songs Hell Bound for Heaven, Nothing, and Everybody Knows will get a lot of spins on my personal stream (http://s1.nexuscast.com:8043) and during my upcoming sets on Blues Music Fan Radio.  Great tunes from a duo of Canadian artists!!!

Stony Plain Records 2019


Harpdog Brown – For Love & Money (2019)

Harpdog brown

To be officially released on April 26th, Harpdog Brown’s For Love & Money recording is a great throwback to the swing and jazzy feel of the blues in the late 1940’s.  If I didn’t know better I would swear this Canadian from British Columbia had grown up in New Orleans.  With a heavy emphasis on piano and horns on the album, Harpdog reminds me alot of the best of Dr. John….gravely voice, gritty lyrics, and fantastic musicianship.

I particularly enjoyed Thinkin’ and Drinkin’, Blue Light Boogie, Buzzard Luck, and Vicious Vodka.  An album best enjoyed with your woman and a martini and cigar in hand for sure!

Dog House Records 2019


Brandon Santini – The Longshot (2019)

Brandon Santini

Brandon Santini turns up the amplifier (and I’d say it’s about time!) on his new album, The Longshot.  An up and coming harmonica player and vocalist who has already been nominated for the BMA blues harmonica player of the year award (2014), his future is bright to say the least! I always have felt that Brandon, who I became aware of in 2012, had the ideal voice and harmonica skills to lay down some badass blues rock……and now he has.

He is backed on this outing by a solid group of musicians; Timo Arthur and Jed Potts on guitars, one of my favorite keyboard players John Ginty, Chuck Combs on bass, and Reid Muchow on drums.  Ginty, Santini, and Ben Elliot produced the album.

I loved Somebody’s Gotta Go, Back to You, Beggin’ Baby, Going Home, and Drive You Off My Mind.  All of them are now in rotation for my DJ sets.

I certainly think this album deserves early consideration as a nominee for Blues Rock album of 2019!  Keep crankin out dem roadhouse blues Brandon!!!

American Showplace Music (2019)


Mark Wenner’s Blues Warriors (2018)

Mark Wenner

A side project for long time Nighthawk Mark Wenner, this album is a refreshing celebration of tunes by Muddy Water, B.B. King, Sonny Boy Williamson, Fats Domino, Big Joe Turner, Elmore James, and Slim Harpo.  Mark is a gifted singer and harmonica player and his brilliance carries this upbeat bluzin’ album.  Fellow Nighthawk, Mark Stutso joins him on drums, along with talented guitarist Zach Sweeney, singer and guitarist Clarence “The Bluesman” Turner, and features the double bass of Steve Wolf.

I loved every cut on this CD including King Bee, Trust My Baby, Rock A While, Hello Josephine, (Let Me Be Your) Teddy Bear, It’s My Own Fault,  and Dust My Broom. The album includes a really nice cover of a relatively unknown tune by Muddy Waters Diamonds at Your Feet that I have worked into my blues sets al ot over the years and the only original song, written by Mark, is an instrumental tribute to the legendary Jimmy Reed entitled Just Like Jimmy.

If you want to spend some time listening to straight up rockin’ blues from the fifties, you can’t do better than downloading and listening to this album!

Ellersoul Records 2018